Dominique Kerkhove (DomKcollage)

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Projet (K)lin D'oeil

Confronting past and present, DOM(K) pays homage to many masters whose works he has observed, criticized and admired. A pictorial cannibalism is at work in DOM(K)'s approach, which erects the (k)ollage of painting as a system. It may make of it with the heroes of society shows that invade our daily lives. Transposition, mimicry, misappropriation, distortion form some of the figures of the strategy deployed by DOM(K) with regard to the academic processes of transmission and reproduction of tra1 Confronting past and present, DOM(K) pays homage to many masters whose works he has observed, criticized and admired. A pictorial cannibalism is at work in DOM(K)'s approach, which erects the (k)ollage of painting as a system. It may make of it with the heroes of society shows that invade our daily lives.

Transposition, mimicry, misappropriation, distortion form some of the figures of the strategy deployed by DOM(K) with regard to the academic processes of transmission and reproduction of tradition. DOM(K) does not copy, it appropriates, recycles, reinvents sometimes by provoking.


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